The history of the Beating Retreat ceremony
The Hindu
The Beating Retreat is conducted every year on January 29 at Vijay Chowk to mark the formal conclusion of the Republic Day celebrations.
This year’s on January 26 and the Beating Retreat ceremony on January 29 have generated a lot of attention and discussion for a variety of reasons. In India, the latter ceremony traces its origins to the early 1950s when Major Roberts of the Indian Army developed a unique ceremony of display by the massed bands, according to the Defence Ministry.
Beating Retreat is a centuries-old military tradition going back to the days when troops disengaged from battle at sunset. According to the website of the Royal Irish Virtual Military Gallery, orders from James II’s army, dated June 18, 1690, directed drums to beat a retreat at night and, in 1694, William III’s army also ordered this:“The Drum Major and Drummers of the Regiment which gives a Captain of the Main Guard are to beat the Retreat through the large street, or as may be ordered. They are to be answered by all the Drummers of the guards, and by four Drummers of each Regiment in their respective Quarters.”

Doctors prescribing branded medication instead of general medicine to patients has been a persistent issue. Clause 1.5 of the Indian Medical Council (Professional Conduct, Etiquette and Ethics) Regulations, 2002, prescribes that every physician should, as far as possible, prescribe drugs with generic names. It is to be written legibly and preferably in capital letters and he/she shall ensure that there is rational prescription and use of drug. Similarly, as per the Medical Council of India (MCI) guidelines (2016) and National Medical Commission (NMC) advisory (2022), doctors must prescribe medicines by their generic names rather than brand names.

Written by Poile Sengupta, the play is directed by Samragni Dasgupta and performed by Jimmy Xavier and Urvashi H.V. Speaking to The Hindu, Samragni said that the play struck a chord with her when she read it at the Drama Library by Bhasha Centre for the first time. “The play was funny, it was sarcastic, humourous, nuanced, and it was talking about some very important things. It felt like the play encompasses things that are really relevant today while also using mythological characters, which made it very relatable. The play is a new dimension to modern day problems,” she added.