New York City Mandates Vaccines for Museum Visitors and Staff
The New York Times
The mayor and cultural institutions agree to require vaccinations as coronavirus cases rise with the spread of the Delta variant.
New York City plans to require visitors to its museums and other cultural institutions to be vaccinated, a city official said Monday. The policy — which Mayor Bill de Blasio was expected to outline at a news conference on Monday that also addressed sports activities — will require that visitors and employees at the city’s museums, concert halls, aquariums and zoos be vaccinated, according to a City Hall official who was granted anonymity because the policy had yet to be officially announced. Children younger than age 12, who are not eligible to be vaccinated, will have to be accompanied by a vaccinated person and will be encouraged to wear masks.
A fashion show in Paris was staged against a backdrop of 200 people playing Fortnite together. It was a distraction, at best.
It’s the wrong moment for the fashion theatrics of Valentino, McQueen and Dior. But Balenciaga got it right.
Since breaking out in “Atlanta,” the actor has become a dependable Hollywood side man. In “Dope Thief,” a new crime drama, he will finally take the lead.
The best-selling bard of female anxiety rakes over some middle school memories while visiting the city where she grew up.
From a low-slung building in Montana, employees process sex abuse complaints against the music mogul that have been drawn to them through advertising and a viral hotline.
A production partly aimed at students that highlights Tampa’s history in the civil rights movement lands at a time when the state is changing what schools teach about race and history.
Minnesota’s high school hockey tournament is a fashion show of mullets, perms and bleach. With his “All Hockey Hair Team,” John King chronicles the lettuce and flow.
Enter the era of the power curve with Alaïa, Schiaparelli and Chloé.
For all the repellent narcissism of its members, the family of HBO’s “The Righteous Gemstones” has been a deeply humanizing example of evangelical Christian faith.
The latest Tom Ford collection makes a strong case for them.
Anne Imhof’s three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art.
In Bong Joon Ho’s latest dystopian romp, Robert Pattinson plays a hapless underdog whose work aboard a spaceship requires him to die, over and over.
But is this really a “Barbie” moment?