
A Play About Segregation Tries to ‘Ride a Fine Line’ in Florida
The New York Times
A production partly aimed at students that highlights Tampa’s history in the civil rights movement lands at a time when the state is changing what schools teach about race and history.
Given the chance, Arthenia Joyner would have ordered a bacon and egg sandwich with a glass of orange juice. Instead, workers inside an F.W. Woolworth store in Tampa, Fla., declared their lunch counter closed to her and other high school students 65 years ago.
The students refused to leave without being served. The protests did not carry the national prominence of the Greensboro sit-ins, Montgomery boycotts or Selma marches. “What I found out is damn near nobody knows what happened,” Joyner, 82, said recently. But the acts of resistance produced results. Within months, Tampa’s counters were desegregated. Other public areas like beaches and movie theaters followed.
Joyner hopes more people will learn of Florida’s contributions to the civil rights movement through “When the Righteous Triumph,” a play that dramatizes the 1960 protests. After a small debut in 2023, the play will be performed at the Jaeb Theater inside Tampa’s David A. Straz Jr. Center for the Performing Arts over the next two weekends, with its audiences including students from around 40 local schools.
The play arrives at a moment when arts and educational offerings are frequently in dispute nationally, and regional arts venues are left navigating shifting terrain.
Several arts organizations sued the National Endowment for the Arts this week over a new mandate that says grant applicants must comply with the Trump administration’s executive orders barring the promotion of “gender ideology.” President Trump recently signed an executive order withholding funding from schools that teach that the United States is “fundamentally racist, sexist or otherwise discriminatory.”