Kehinde Wiley’s New Exhibition Is a Chapel of Mourning
The New York Times
“An Archaeology of Silence” opens in San Francisco, after a string of police killings of Black men. Along with powerful art, it offers a respite room to those needing a break.
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The latest Tom Ford collection makes a strong case for them.
Anne Imhof’s three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art.
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Chad Kassem is on a mission — saving listeners “from bad sound” — at the rural factory where he pores over LPs from some of music’s most important artists.
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