Janis Ian Lets Her Music Speak Her Mind (One Last Time)
The New York Times
At 70, the singer-songwriter who has always been unafraid of difficult subjects is releasing a final album, “The Light at the End of the Line.”
On a recent morning, Janis Ian spoke expansively from her work space in Florida about a 50-year career marked by literary lyrics, social activism and major hits. Just one subject brought her up short. When pondering younger artists who’ve publicly cited her as an inspiration, she paused and threw up her arms. “I can’t think of one. So many people say, ‘Joni Mitchell is my big influence,’” she said. “And I thought, wait a minute. Didn’t I influence anybody?”
She might not get the loudest shout-outs, but there’s no denying that Ian has often served as a cultural clairvoyant.
In 1967, she became one of the first fully self-determined female singer-songwriters in pop, having penned every track on her debut album, which was released one month before Laura Nyro’s, a year before Joni Mitchell’s and three before Carole King’s.
Run 3 Space | Play Space Running Game
Traffic Jam 3D | Online Racing Game
Duck Hunt | Play Old Classic Game
Since breaking out in “Atlanta,” the actor has become a dependable Hollywood side man. In “Dope Thief,” a new crime drama, he will finally take the lead.
The best-selling bard of female anxiety rakes over some middle school memories while visiting the city where she grew up.
From a low-slung building in Montana, employees process sex abuse complaints against the music mogul that have been drawn to them through advertising and a viral hotline.
A production partly aimed at students that highlights Tampa’s history in the civil rights movement lands at a time when the state is changing what schools teach about race and history.
Minnesota’s high school hockey tournament is a fashion show of mullets, perms and bleach. With his “All Hockey Hair Team,” John King chronicles the lettuce and flow.
Enter the era of the power curve with Alaïa, Schiaparelli and Chloé.
For all the repellent narcissism of its members, the family of HBO’s “The Righteous Gemstones” has been a deeply humanizing example of evangelical Christian faith.
The latest Tom Ford collection makes a strong case for them.
Anne Imhof’s three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art.
In Bong Joon Ho’s latest dystopian romp, Robert Pattinson plays a hapless underdog whose work aboard a spaceship requires him to die, over and over.
But is this really a “Barbie” moment?
Chad Kassem is on a mission — saving listeners “from bad sound” — at the rural factory where he pores over LPs from some of music’s most important artists.
Charisma, positivity and warmth are traits that fans attribute to the color, which has been on the ascent.