Emmy Nominations 2021: What to Watch For
The New York Times
The Television Academy is poised to reward streaming services when the nominations for the 73rd Emmy Awards are announced at 11:30 a.m. Eastern on Tuesday.
The streaming services have already made their mark at the Emmy Awards — last year Netflix set a record for the most nominations. But following a year in which the pandemic forced many Americans to increasingly turn to on-demand streaming video for entertainment, the Television Academy is poised to reward streaming services in a big way when nominations for the 73rd Emmy Awards are announced at 11:30 a.m. Eastern on Tuesday. The ceremony will be on Sept. 19 on CBS, and also available on the Paramount+ streaming service. The top contenders for the best drama category are mostly from the streamers. They are likely to include the fourth season of Netflix’s “The Crown”; the second season of the Disney+ Star Wars series “The Mandalorian”; a former best drama winner, Hulu’s “The Handmaid’s Tale”; and the freshman season of Netflix’s “Bridgerton.”
Since breaking out in “Atlanta,” the actor has become a dependable Hollywood side man. In “Dope Thief,” a new crime drama, he will finally take the lead.
The best-selling bard of female anxiety rakes over some middle school memories while visiting the city where she grew up.
From a low-slung building in Montana, employees process sex abuse complaints against the music mogul that have been drawn to them through advertising and a viral hotline.
A production partly aimed at students that highlights Tampa’s history in the civil rights movement lands at a time when the state is changing what schools teach about race and history.
Minnesota’s high school hockey tournament is a fashion show of mullets, perms and bleach. With his “All Hockey Hair Team,” John King chronicles the lettuce and flow.
Enter the era of the power curve with Alaïa, Schiaparelli and Chloé.
For all the repellent narcissism of its members, the family of HBO’s “The Righteous Gemstones” has been a deeply humanizing example of evangelical Christian faith.
The latest Tom Ford collection makes a strong case for them.
Anne Imhof’s three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art.
In Bong Joon Ho’s latest dystopian romp, Robert Pattinson plays a hapless underdog whose work aboard a spaceship requires him to die, over and over.
But is this really a “Barbie” moment?
Chad Kassem is on a mission — saving listeners “from bad sound” — at the rural factory where he pores over LPs from some of music’s most important artists.
Charisma, positivity and warmth are traits that fans attribute to the color, which has been on the ascent.