Differently abled artist defies odds to bring Lord Ayyappa’s tale to life at Sabarimala
The Hindu
Manoj Kumar, a talented artist with a disability, paints vibrant murals at Sabarimala, narrating the story of Lord Ayyappa.
On the walls around the Sannidhanam, Manoj Kumar’s left hand works tirelessly, transforming them into vibrant canvases that narrate the story of Lord Ayyappa. It’s a remarkable display of artistry that defies the odds.
The 40-year-old artist, a native of Chekom near Pathanapuram, was born with an ingrown right hand that ends below his elbow. Since the start of this pilgrimage season, he has been at Sabarimala, painting murals on the walls of the Annadanamandapam, Sabari Nandanam, and the Pandalam Malika. These murals, being crafted in oil paint for longevity, will narrate the life story of Lord Ayyappa, from the discovery of Lord Manikanda from the forests to his divine exploits.
When asked what motivates him to take up such challenging work, his response is swift: “nothing is a limitation when you have Ayyappan as your shelter.”
An alumnus of the Raja Ravi Varma College of Fine Arts at Mavelikara, Manoj Kumar embraced art as his only means of survival. His humble beginnings saw him creating banners, graffiti for elections, and even vehicle number plates to support his family. However, with limited opportunities and income from his art, he often resorted to jobs like rubber tapping to make ends meet.
The turning point in Manoj’s journey came when his talent caught public attention during the 75th-anniversary celebrations of Kollam district. His depiction of Kollam’s iconic imagery marked the beginning of wider recognition.
However, his foray into temple murals was not easy. But the encouragement of the temple managements and his deep faith reassured him to carry on.
The descriptive murals he has drawn, such as the Dashavatara series at the Puthen Kavu Maha Vishnu temple, have gained immense popularity, with images going viral on social media, bringing him similar assignments in other temples.
“Writing, in general, is a very solitary process,” says Yauvanika Chopra, Associate Director at The New India Foundation (NIF), which, earlier this year, announced the 12th edition of its NIF Book Fellowships for research and scholarship about Indian history after Independence. While authors, in general, are built for it, it can still get very lonely, says Chopra, pointing out that the fellowship’s community support is as valuable as the monetary benefits it offers. “There is a solid community of NIF fellows, trustees, language experts, jury members, all of whom are incredibly competent,” she says. “They really help make authors feel supported from manuscript to publication, so you never feel like you’re struggling through isolation.”
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