‘Barry’ Is Ending. For Anthony Carrigan, That’s Nothing to Be Afraid Of
The New York Times
In his Emmy-nominated role as the sunshiny Chechen gangster NoHo Hank, Carrigan has expanded what a villain can be — and his repertoire.
Since breaking out in “Atlanta,” the actor has become a dependable Hollywood side man. In “Dope Thief,” a new crime drama, he will finally take the lead.
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From a low-slung building in Montana, employees process sex abuse complaints against the music mogul that have been drawn to them through advertising and a viral hotline.
A production partly aimed at students that highlights Tampa’s history in the civil rights movement lands at a time when the state is changing what schools teach about race and history.
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The latest Tom Ford collection makes a strong case for them.
Anne Imhof’s three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art.
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But is this really a “Barbie” moment?
Chad Kassem is on a mission — saving listeners “from bad sound” — at the rural factory where he pores over LPs from some of music’s most important artists.
Charisma, positivity and warmth are traits that fans attribute to the color, which has been on the ascent.