An Artist-Run Dance Space That’s ‘All Presentation, Baby’
The New York Times
A new generation of choreographers, obsessed with composition and costumes, experiments at Pageant in East Williamsburg, Brooklyn.
A fashion show in Paris was staged against a backdrop of 200 people playing Fortnite together. It was a distraction, at best.
It’s the wrong moment for the fashion theatrics of Valentino, McQueen and Dior. But Balenciaga got it right.
Since breaking out in “Atlanta,” the actor has become a dependable Hollywood side man. In “Dope Thief,” a new crime drama, he will finally take the lead.
The best-selling bard of female anxiety rakes over some middle school memories while visiting the city where she grew up.
From a low-slung building in Montana, employees process sex abuse complaints against the music mogul that have been drawn to them through advertising and a viral hotline.
A production partly aimed at students that highlights Tampa’s history in the civil rights movement lands at a time when the state is changing what schools teach about race and history.
Minnesota’s high school hockey tournament is a fashion show of mullets, perms and bleach. With his “All Hockey Hair Team,” John King chronicles the lettuce and flow.
Enter the era of the power curve with Alaïa, Schiaparelli and Chloé.
For all the repellent narcissism of its members, the family of HBO’s “The Righteous Gemstones” has been a deeply humanizing example of evangelical Christian faith.
The latest Tom Ford collection makes a strong case for them.
Anne Imhof’s three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art.
In Bong Joon Ho’s latest dystopian romp, Robert Pattinson plays a hapless underdog whose work aboard a spaceship requires him to die, over and over.
But is this really a “Barbie” moment?