A project to transfer the knowledge of Kannadippaya making to future generations
The Hindu
KFRI revives GI-tagged Kannadippaya craft, training new weavers to preserve tradition and expand market opportunities.
Smooth as glass, thin enough to roll, and intricately handwoven, Kannadippaya – a GI-tagged craft – is now at the heart of a revival mission by the Kerala Forest Research Institute (KFRI).
The mat — named for its mirror-like sheen — is made from Njoonjileeta (Teinostachyum wightii), a fast-growing creeper bamboo found in Kerala’s forest-rich districts. The mat has traditionally been made by members of indigenous communities such as the Oorali, Mannan, Muthuva, Malayan, and Kadar tribes, particularly in Idukki, Thrissur, Ernakulam, and Palakkad. Communities like the Ulladan, Malayarayan, and Hill Pulaya are also part of this legacy. But today, fewer young people are aware of the intricate skill of Kannadippaya weaving — an art passed orally from one generation to the next.
“The situation is alarming,” says A.V. Raghu, senior scientist at KFRI. “Most of the new generation has never seen a Kannadippaya, let alone know how to make one. That’s why we started this project—to preserve and transfer the knowledge before it fades.”
Backed by the Department of Science and Technology, Government of India, the KFRI initiative rests on three core pillars: planting the raw material, procuring the harvested bamboo, and training the next generation of weavers.
So far, the institute has planted 2,000 saplings of Njoonjileeta in Venmony forest land with the help of the Forest department. The saplings will serve as a sustainable source of raw material in the coming years. Training in material collection has already been completed, and now, the focus has shifted to weaving.
Six senior women weavers from Venmony are leading the charge in passing on this heritage. Among them is 87-year-old Ponmala Gopalan from Palaplavu, who beams with pride as she talks about her involvement. “This skill was handed down to me by my mother and grandmother. I’m thrilled to now share it with the younger generation.”
As part of the project, five veteran weavers have begun training 15 young women and men between the ages of 20 and 40. The aim: to make Kannadippaya-making a viable craft again, not just a forgotten tradition.

Referring to the blasting being done at the stone quarries, the Upa Lokayukta sought to know whether information had been gathered regarding any damage to houses in the village. He sought to know who would be responsible for any damage caused due to quarrying being done completely through blasting, and directed the officials to do a thorough check.