100 Days of Vice-Presidential Style
The New York Times
Kamala Harris doesn’t want to talk about clothes. Neither does Jill Biden. You can understand why. But lots of people still want to know what they are wearing.
On April 28, when President Joseph R. Biden delivers his address to the joint session of Congress, with Vice President Kamala Harris at his shoulder and Jill Biden and Douglas Emhoff watching from the balcony, it will mark the first high-profile public appearance of the first and second families since the inauguration. President Biden, of course, will be the only one speaking. That doesn’t mean the other three will have nothing to say. It is on exactly these occasions of state that image-making comes into its own, that costume becomes a key part of political theater.
Since breaking out in “Atlanta,” the actor has become a dependable Hollywood side man. In “Dope Thief,” a new crime drama, he will finally take the lead.
The best-selling bard of female anxiety rakes over some middle school memories while visiting the city where she grew up.
From a low-slung building in Montana, employees process sex abuse complaints against the music mogul that have been drawn to them through advertising and a viral hotline.
A production partly aimed at students that highlights Tampa’s history in the civil rights movement lands at a time when the state is changing what schools teach about race and history.
Minnesota’s high school hockey tournament is a fashion show of mullets, perms and bleach. With his “All Hockey Hair Team,” John King chronicles the lettuce and flow.
Enter the era of the power curve with Alaïa, Schiaparelli and Chloé.
For all the repellent narcissism of its members, the family of HBO’s “The Righteous Gemstones” has been a deeply humanizing example of evangelical Christian faith.
The latest Tom Ford collection makes a strong case for them.
Anne Imhof’s three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art.
In Bong Joon Ho’s latest dystopian romp, Robert Pattinson plays a hapless underdog whose work aboard a spaceship requires him to die, over and over.
But is this really a “Barbie” moment?
Chad Kassem is on a mission — saving listeners “from bad sound” — at the rural factory where he pores over LPs from some of music’s most important artists.
Charisma, positivity and warmth are traits that fans attribute to the color, which has been on the ascent.