Watercolour postcard paintings by 32 Indian artists on show at Prussian Blue Art Hub in Kochi
The Hindu
Explore 500+ watercolour postcard paintings by 32 Indian artists at Prussian Blue Art Hub's 15th anniversary exhibition.
Over 500 postcard-size watercolour paintings enliven the gallery space at Prussian Blue Art Hub. The exhibition that features the works of 32 artists from across India is part of the gallery’s 15th anniversary celebrations.
Each artist has painted a series of postcards that have been displayed together as one large work. “There is beauty in miniature paintings and each work on display is testimony to that. The works are also extremely detailed,” says the curator Suresh TR, who is an artist, art instructor and founder of Prussian Blue Art Hub. The show includes the works of emerging artists and the experienced ones.
The most popular theme seems to be Nature. Jazeela Sherif’s canvases are a realistic portrayal of the countryside, Nature and city streets. While Bengaluru-based artist Anjali Doney paints little shops that dot quaint Indian villages — a toddy shop “somewhere in Kerala”, a fruit shop in Kozhikode and the Paradesi Synagogue in Mattancherry. Another of her canvases features an old-world coffee house in Kasauli, Himachal Pradesh and her favourite tea shop at Domlur, Bengaluru.
Kochi-based designer Ashima Bhan, founder of Aaraam Se, which specialises in clothing for people with special needs, has displayed her paintings — of the male figure — on a chocolate brown canvas. Ashima says she took to painting during the Covid-19 years. The form has been outlined in black and the artist in her particularly wanted to explore the use of the colour brown, she says.
For Sipin CG, inspiration comes from architectural structures. His frames are filled with clock towers and tops of buildings, including the Eiffel tower. Sonam Sikarwar uses red, white and black colours to create a stunning collage.
It is foliage that moves Rahul R, Aarush Ali and Induja Shanmugharaj, who have painted greenery in different forms — potted plants, trees, ferns, and the weeds that grow in the wild.
In the spirit of the holiday season, some paintings bring back the era of the greeting card. For instance, Anilkumar’s postcards could well work as the season’s greetings, filled with cartoon characters and other Christmassy motifs.
At least a few of the images that populate British-Palestinian filmmaker Farah Nabulsi’s debut film The Teacher, being screened in the world cinema section at the 29th International Film Festival of Kerala (IFFK), are what one would expect from a film that chronicles the everyday struggles of the Palestinians.