‘See’ Season 2 review: The art of survival is given a new force in Apple TV+ drama
The Hindu
Jason Momoa and Dave Bautista face off in this gritty and apocalyptic continuation
I have always felt that See was one of 2019’s dark horse series; it just did not get the love it deserved. The show pulled itself out of the box of ‘sensory deprivation’ themes which feature in films such as A Quiet Place and Bird Box, and spun its own riveting tale with plenty of bone-crunching, blood-spattering action. . The series follows a post-apocalyptic world where everybody has lost the ability to see. The Alkenny tribe led by Baba Voss (Jason Momoa) births a set of sighted twins which leads to a series of battles, political upheavals and more chaos triggered by the opposing Queek Kane (Sylvia Hoeks). The end of season one reveals there are more children in the world born with sight. And to top of the mayhem, Baba’s own brother, Edo, from a neighbouring tribe placed a bounty on him. So season one left a lot of loose ends that were frustratingly left unanswered for more than a year, thanks to the pandemic.
In its 10th edition Serendipity Arts Festival foregrounds food-themed projects and commentaries on surveillance, migration, ecology and erasure
Test your crossword knowledge with intriguing trivia and puzzles inspired by their rich history and clever wordplay.
A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.
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Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.
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It Was Just an Accident, is screened in the World Cinema category at the 30th International Film Festival of Kerala
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