Looking Inward, and Back, at a Biennale for the History Books
The New York Times
Eyes are the key metaphor in the Venice Biennale’s central show of 213 artists, an unprecedented percentage of whom are women.
Rachel Handlin is possibly the first person with Down syndrome to receive an M.F.A., and one of just a few to hold a bachelor’s. Her first solo show features her portraits of others like her.
With shirts playing off Chapel Hill’s name and cutoff hoodies, a college town immediately embraced the arrival of Bill Belichick in North Carolina.
A half-million people are on the Ffern wait list hoping to do just that.
By breaking the story into two movies, the emphasis in “Part One” shifts to a nation’s potential decline into authoritarianism. Sound familiar?
For a man who rose to fame in the gilded yuppie era of New York City, today’s ringing the bell to open the stock exchange, and being named Person of the Year by Time, must have a certain appeal.
A visual tour of the show that seems to defy all the rules.
This was a year whose high points included Joan Jonas’s luminous survey, the extravaganza “PST ART,” and the 24-karat beauty of a show “Siena: The Rise of Painting, 1300-1350.”
This visually inventive adaptation of a Colson Whitehead novel follows two boys at an abusive school in Jim Crow-era Florida.
What happens when violent crimes are overshadowed by appearances?
Between her experience on “Babygirl” and her mother’s death, the star has come to understand a lot about women in unfulfilled lives.
As Elon Musk has become a key player in President-elect Donald J. Trump’s world, Tesla owners are marking their cars to signify where they stand — for or against.