In ‘House of the Dragon,’ Ewan Mitchell Leads With His Chin
The New York Times
As Aemond Targaryen, the young actor quickly became one of the “Game of Thrones” prequel’s most intriguing and fearsome characters.
Like most people, Ewan Mitchell is accustomed to anonymity. So during a recent trip to Manhattan, he was surprised by what a hotel doorman asked when he arrived: “You haven’t packed your eye patch?”
Mitchell does not normally wear an eye patch, but Aemond Targaryen, the one-eyed, dragon-riding warrior he plays in “House of the Dragon,” does. The actor is still getting used to strangers making the connection in public.
“I wouldn’t think people would recognize me, but they do,” he said. “I think it’s because of my strong chin.”
This was on an afternoon in May, and Mitchell, 27, was sipping a Coke at the hotel bar. He wore a black Alexander McQueen suit and was preparing to attend the premiere of the second season of “House of the Dragon,” HBO’s “Game of Thrones” prequel that follows two factions vying for the Iron Throne.
When Mitchell made his debut in the latter half of Season 1, Aemond, the willful second son who grows to covet his brother’s throne, quickly became one of the show’s most intriguing and fearsome characters. Paired off with Vhagar, the realm’s largest, meanest dragon, and possessing the most chiseled chin in Westeros, Aemond radiated the quiet ferocity of a predator preparing to pounce.
“When I’m dressed up as Aemond and catch myself in the mirror, he scares even me a little bit,” Mitchell said.
Rachel Handlin is possibly the first person with Down syndrome to receive an M.F.A., and one of just a few to hold a bachelor’s. Her first solo show features her portraits of others like her.
With shirts playing off Chapel Hill’s name and cutoff hoodies, a college town immediately embraced the arrival of Bill Belichick in North Carolina.
A half-million people are on the Ffern wait list hoping to do just that.
By breaking the story into two movies, the emphasis in “Part One” shifts to a nation’s potential decline into authoritarianism. Sound familiar?
For a man who rose to fame in the gilded yuppie era of New York City, today’s ringing the bell to open the stock exchange, and being named Person of the Year by Time, must have a certain appeal.
A visual tour of the show that seems to defy all the rules.
This was a year whose high points included Joan Jonas’s luminous survey, the extravaganza “PST ART,” and the 24-karat beauty of a show “Siena: The Rise of Painting, 1300-1350.”
This visually inventive adaptation of a Colson Whitehead novel follows two boys at an abusive school in Jim Crow-era Florida.
What happens when violent crimes are overshadowed by appearances?
Between her experience on “Babygirl” and her mother’s death, the star has come to understand a lot about women in unfulfilled lives.
As Elon Musk has become a key player in President-elect Donald J. Trump’s world, Tesla owners are marking their cars to signify where they stand — for or against.