Immersion of Khairatabad Ganesh idol, the Gordian knot
The Hindu
GHMC clueless with HC directing not to immerse PoP idols in the city’s lakes
GHMC has found itself in a tight spot with regard to immersion of the mammoth Ganesh idol from Khairatabad, following the Telangana High Court’s refusal to allow immersion in Hussainsagar.
While the government has reportedly appealed to the Supreme Court for revision of the High Court’s directions not to immerse the idols made of plaster of Paris (PoP) in the city’s lakes, authorities are clueless about the outcome of the appeal. One apprehension is that the apex court may not pay heed to the government’s request, as any direction in favour of immersion in Hussainsagar could have ramifications across the country, even in cities where the governments could successfully replace clay idols with PoP.
As per the information received up to Tuesday evening, the special leave petition by the GHMC Commissioner is yet to be admitted by the Supreme Court. As the customary ninth day, when majority of the idols will be immersed is only four days away, the government has not made public any alternative arrangements. Based on the High Court’s directions, the baby pond created near the Sanjeevaiah Park on the Necklace Road should be the immersion site for all idols arriving at Hussainsagar. The baby pond, however, is 60 feet in width and only 15 to 20 feet in depth, and it could be a herculean task to drown the 40-foot standing ‘Panchamukha Ganapati’ of Khairatabad in it.
Hampi, the UNESCO-recognised historical site, was the capital of the Vijayanagara empire from 1336 to 1565. Foreign travellers from Persia, Europe and other parts of the world have chronicled the wealth of the place and the unique cultural mores of this kingdom built on the banks of the Tungabhadra river. There are fine descriptions to be found of its temples, farms, markets and trading links, remnants of which one can see in the ruins now. The Literature, architecture of this era continue inspire awe.
Unfurling the zine handed to us at the start of the walk, we use brightly-coloured markers to draw squiggly cables across the page, starting from a sepia-toned vintage photograph of the telegraph office. Iz, who goes by the pronouns they/them, explains, “This building is still standing, though it shut down in 2013,” they say, pointing out that telegraphy, which started in Bengaluru in 1854, was an instrument of colonial power and control. “The British colonised lands via telegraph cables, something known as the All Red Line.”
The festival in Bengaluru is happening at various locations, including ATREE in Jakkur, Bangalore Creative Circus in Yeshwantpur, Courtyard Koota in Kengeri, and Medai the Stage in Koramangala. The festival will also take place in various cities across Karnataka including Tumakuru, Ramanagara, Mandya, Kolar, Chikkaballapura, Hassan, Chitradurga, Davangere, Chamarajanagar and Mysuru.