Tony Awards 2024: Who Will Win (and Who Should)
The New York Times
Our chief theater critic names the shows and artists he thinks will win, should win and should have been nominated — and suggests a few new categories.
The 2023-24 Broadway season was rich with new plays and, let’s say, crowded with new musicals. Revivals were rarer — not a bad thing, necessarily. But the combination of factors makes for quite a horse race as the Tony Awards presentation approaches. So take my annual Tonys “ballot” with the usual caveats, listed below, and with a grain of salt for my highly unscientific commentary within each category. As always, that includes a plea for the addition of new awards; if we can change, why can’t the Tonys?
1. I’m not an oddsmaker. I don’t actually vote. Prizes for artistic merit are silly. You could probably do better by flipping a coin.
2. The people and productions listed in the “Should Win” category are not necessarily more deserving than those in “Will Win.” There’s often little if any excellence gap between the two groups.
3. The “Should Have Been Nominated” category obviously includes Broadway work that was eligible but spurned. Less obviously, it also includes work from Off Broadway and beyond (indicated by an *asterisk*) that’s totally ineligible for the Tonys, just because.
Four cheers for Off Broadway, where so many Broadway plays start — including this year’s “Stereophonic, “Mary Jane,” “Appropriate” and “Prayer for the French Republic.” And a fifth cheer for “Primary Trust,” which won the 2024 Pulitzer Prize for Drama.
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