The Story of a Famous Covid Widow
The New York Times
Amanda Kloots grieved in public when her husband Nick Cordero died. Now she is sharing the rest of her story in “Live Your Life.”
LOS ANGELES — Amanda Kloots is not surprised that she’s famous. You don’t move to New York from Ohio at 18, go to countless thanks-but-no-thanks auditions, dust yourself off again and again, or practice tap dance nightly on your small apartment bathroom floor in case a spot in the ensemble for “42nd Street” or the Rockettes opens because you think you are best suited to a life of quiet anonymity. But she didn’t anticipate the way she’d get there. “It’s such a juxtaposition, it’s such a weird state” to realize your professional dreams because of a huge, public loss, Ms. Kloots, 39, said.
Sarah Sherman plays Matt Gaetz as well as the widow of P’Nut, the conservative darling of the rodent world, while Charli XCX and pals serenade a mom-to-be.
Black artists have long claimed ancient Egypt as their own. Now they’re telling their stories in person on the museum’s floor.
Get ready for the DOGE store.
A shimmering dream on the Nile has inspired creativity from the Harlem Renaissance to Kara Walker to Beyoncé. But how much can you play with the past?
Old photos of the California governor (and navy-suit enthusiast) are being widely shared as bruised Democrats seek a savior.
In the months leading up to the election, Donald J. Trump sat for a slew of casual and unconventional conversations with podcasters and streamers. We watched them all.
In the last year, museums, book festivals, arts journals and other organizations have experienced bitter discord over what qualifies as tolerable speech about the conflict and its combatants.
John Krasinski may not have the raw energy of Glen Powell, but a collaboration with the stylist Ilaria Urbinati has paid huge dividends.
The star of Jacques Audiard’s showy new musical about a trans Mexican crime boss, Karla Sofía Gascón, adds soul to the melodrama. Zoe Saldaña also shines.
The powerhouse soprano, already a company stalwart at 37, still seems to be figuring out a character whose moods change on a dime.
The artist’s works are the subject of two New York shows, at the Metropolitan Museum and the Jack Shainman Gallery.