The Evolution of Black Music, and a Man’s Soul, in One Show
The New York Times
The new show “Black No More,” inspired by a 1931 satirical novel about race relations, has “the point of view of people who are very much products of now.”
A Black man in New York City, during the Harlem Renaissance, is hoping for a life without bigotry. This is Harlem after all, a Black enclave, the epicenter of culture and creativity. Here, he’d have an easier time in getting along.
Or so he thought. He soon learns that utopia is an illusion, that racism prevails no matter the location. In the North, he discovers, the racism is subtle: He’s somehow not the right fit for his job, though his supervisor, a white man, says he’s doing well. Others think he’s too uppity, so he is let go.
Distraught, he undergoes a procedure to turn himself white and retreats to Atlanta. There he sees how prejudiced whites speak of Black people when they aren’t in the room: The “n” word is tossed around with the hard “-er.” He soon realizes that his new skin tone can’t save him, either. The life he wants means nothing if he loses his soul along the way.
Rachel Handlin is possibly the first person with Down syndrome to receive an M.F.A., and one of just a few to hold a bachelor’s. Her first solo show features her portraits of others like her.
With shirts playing off Chapel Hill’s name and cutoff hoodies, a college town immediately embraced the arrival of Bill Belichick in North Carolina.
A half-million people are on the Ffern wait list hoping to do just that.
By breaking the story into two movies, the emphasis in “Part One” shifts to a nation’s potential decline into authoritarianism. Sound familiar?
For a man who rose to fame in the gilded yuppie era of New York City, today’s ringing the bell to open the stock exchange, and being named Person of the Year by Time, must have a certain appeal.
A visual tour of the show that seems to defy all the rules.
This was a year whose high points included Joan Jonas’s luminous survey, the extravaganza “PST ART,” and the 24-karat beauty of a show “Siena: The Rise of Painting, 1300-1350.”
This visually inventive adaptation of a Colson Whitehead novel follows two boys at an abusive school in Jim Crow-era Florida.
What happens when violent crimes are overshadowed by appearances?
Between her experience on “Babygirl” and her mother’s death, the star has come to understand a lot about women in unfulfilled lives.
As Elon Musk has become a key player in President-elect Donald J. Trump’s world, Tesla owners are marking their cars to signify where they stand — for or against.