Sun, Sun, Sun. Here It Comes.
The New York Times
Spring’s warmth is a flirt, but New Yorkers are ready for the season’s unpredictability.
The shift to New York City spring follows a familiar pattern: skittishly unpredictable weather leading to uncertain modes of dress. But with the rise in temperature, the style of the city often blooms along with it. It’s marvelous to behold; discarding heavy wools for lighter cottons, short skirts and even shorter sleeves. One of the big standouts is the white maxi skirt, a signal of a lightness of mood and fresh possibilities.
We often think of spring as the time of year when colors burst, like our favorite botanicals — the brighter the better — but people also made the case for neutrals. Brown and earthy tones give weight and a touch of class. There’s been an uptick of fire engine red — particularly with flat shoes — but the best finds remain the coordinated outfits for couples and friends, similar to duos in Tokyo last year. Finally, a standing ovation for the men, who were impeccably groomed.
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Nora Holt was a pioneer of Chicago’s Black classical music scene. A friend of Josephine Baker, she later became a blues singer in Parisian nightclubs.
In the film “Conclave,” the costume designer Lisy Christl clothed an army of catty cardinals, from their miters down to their quirky glasses.
The sprawling PST festival of more than 70 exhibitions doesn’t quite live up to its theme of art and science colliding. But there is a handful of impressive entries.