String Theory, a Berlin-based sitar band featuring international musicians, makes its debut in Thiruvananthapuram

String Theory: Berlin-based sitar collective debuts in Thiruvananthapuram, blending international sounds in a unique concert experience.

It was a dream come true for Berlin-based sitarist Sebastian Dryer when he took the stage with six other sitarists, their roots spread across the world, to perform at the Amphitheatre at Goethe-Zentrum Trivandrum in Thiruvananthapuram on February 13. That was the debut concert of the collective, known as String Theory. The performance began with a piece in raag Jog in Deepchandi taal, followed by compositions in Jhinjoti, Kafi, Puriya Dhanashree, Bhairav, Brindavani Sarang and Darbari Kanada raags.

The string collective from Berlin mostly consists of sitarists settled in the German capital — Will Dewar from South Africa, Handong Ryu from South Korea, Anurag Sharma from India, Tina Bartel aka Trilli, Matthias Seidel and Susanne Kretschmann (who couldn’t attend the concert) from Germany. Aleksandr Konanchuk from Russia, a sitarist with over three decades of experience, completes the ensemble. They were accompanied by Indian exponent Retnasree Iyer on the tabla.

“It started rather pragmatically,” says Sebastian, a faculty at the Fanny Hense Music School in Berlin. “Except for two members, the others study there. Usually, when you learn Western instruments such as the guitar and the violin, you play them in a band and you have classes with them as an orchestra. This wasn’t the case with sitar. So I thought why not come up with a sitar collective,” says Sebastian. 

For several musicians, their first tryst with the instrument was through the iconic English rock band, The Beatles. It was thanks to the band that Aleksandr came across the late sitar player Pandit Ravi Shankar, who was a collaborator and guru of George Harrison, the band’s lead guitarist. Aleksandr, a protege of Mahotram Sabri and Ustad Rafique Khan, soon switched from guitar to sitar and even bought a copy of Ravi Shankar’s autobiography My Music, My Life, imitating the sitar virtuoso’s posture on the cover. “That was my first exercise,” he says.

Will, who is from Johannesburg, too listened to Ravi Shankar and The Beatles while growing up. His interest piqued when he found a vinyl record of Ravi Shankar’s Concerto for Sitar & Orchestra in his father’s collection. Handong from Seoul, who found Sebastian after a long search, has a similar story.

The only Indian musician in the group, Anurag Sharma from Haryana, started listening to sitar music to get concentration while working as an IT professional. “It was kind of a ‘taboo’ music because it was difficult to learn and nobody in my circle listened to it,” says Anurag, who began training under Sebastian after he moved to Berlin for work.

Matthias from Berlin, says, he was influenced by German pop bands, which featured the instrument in their songs, unlike the others.