Stephen Sondheim, Titan of the American Musical, Is Dead at 91
The New York Times
He was the theater’s most revered and influential composer-lyricist of the last half of the 20th century and the driving force behind some of Broadway’s most beloved and celebrated shows.
Stephen Sondheim, one of Broadway history’s songwriting titans, whose music and lyrics raised and reset the artistic standard for the American stage musical, died early Friday at his home in Roxbury, Conn. He was 91.
His lawyer and friend, F. Richard Pappas, announced the death. He said he did not know the cause but added that Mr. Sondheim had not been known to be ill and that the death was sudden. The day before, Mr. Sondheim had celebrated Thanksgiving with a dinner with friends in Roxbury, Mr. Pappas said.
An intellectually rigorous artist who perpetually sought new creative paths, Mr. Sondheim was the theater’s most revered and influential composer-lyricist of the last half of the 20th century, if not its most popular.
A “MAGA Youth” dinner in Manhattan gave young Trump supporters a place to socialize and celebrate the new administration.
From the Super Bowl to a self-produced version of “Cops,” the second Trump administration is using imagery to project an air of authority and invincibility.
While Valentine’s Day is often centered on romantic love, some singles — including those who have never experienced it — find joy in celebrating love in other forms.
Questlove’s new documentary aims to dissect the forward-looking brilliance of Sly Stone and his band, but mostly it traces their downward arc.
Fashion wrestles with a shift in gender politics.
He is attracting different attention, and some leading man hardware, after standout performances in “The Apprentice” and “A Different Man.”
As she prepares for her first Oscars as a nominee, the star of “The Substance” talks about the daring role that revitalized her career.
With the event returning to Midtown Manhattan for the first time since 2020, thousands of dogs flooded the city with a single goal in mind: best in show.
The music industry pushed the group behind hits like “Manic Monday” and “Eternal Flame” hard, then pulled them apart. A new book tells their story.
Philadelphia’s loyal supporters made themselves at home, with joyous fans partying outside the Superdome and others making their way to Bourbon Street.
The first rapper to headline the N.F.L.’s biggest stage solo made his Drake diss “Not Like Us” the centerpiece of his set at the expense of a larger statement.
*Well, maybe only to me. “S.N.L.” fans all have their own idea of the show’s peak, and this is mine.
Jellyfish gowns, Old Hollywood suits, tube tops and more.