‘Sharathulu Varthisthai’ movie review: Well-intended, albeit dull PSA
The Hindu
‘Sharathulu Varthisthai’ movie review: Well-intended, albeit dull PSA. The Telugu film directed by Kumara Swamy stars Chaitanya Rao Madadi and Bhoomi Shetty
‘Sharathulu Varthisthai’ (conditions apply) is a disclaimer in the fine print that we often do not pay attention to. The disclaimer can give scamsters a window to loot the gullible. What if a common man says enough is enough and decides to make scamsters accountable? Director Kumara Swamy, who has co-written this Telugu film with Peddinti Ashok Kumar, narrates a story based on true incidents. The lower middle-class setting in Karimnagar, the Telangana dialect and some of the performances, especially that of Chaitanya Rao, lend authenticity to the narrative but, despite its good intentions, the film ends up as a generic drama.
As the title credits roll, we hear conversations and an unexpected turn of events that hint crime. One of the brief scenes in the initial portions also underlines the political aspirations of one character and the goodwill earned by another character who is a basti leader.
The director moves back in time from this prologue to give us a closer view of life in a lower middle-class colony in Karimnagar. The snapshots establish the lived-in quality of the houses in the locality and its people who go about their daily grind.
We also get an insight into the life of the protagonist, Chiranjeevi (Chaitanya Rao Madadi), his family, which includes his mother and two younger siblings and his financial responsibilities. He is a clerk at a government office and reports to a genial officer. The unhurried pace of the small town and the conversations have the vibe of films of the 1980s or 1990s that presented simple stories of middle-class households. The issues that this film deals with are in the contemporary realm. When the first glimpse of the ‘Golden Plate’ chit fund investment scheme is shown as a newspaper advertisement, it is easy to predict the rest of the story.
Before opening that can of worms, Sharathulu Varthisthayi presents us with the romance between Chiranjeevi (a photograph in his house hints that his father was an ardent fan of the Telugu megastar) and Vijayashanti (Bhoomi Shetty). The ode to the real Telugu superstars — Chiranjeevi and Vijayashanti — remains an undercurrent and the director doesn’t leverage it with film clips to cater to the fandom.
The romance that has its beginning in a childhood friendship unravels how the relationship has weathered the travails of growing up in financially demanding situations. Vijayashanti’s character begins with a lot of promise but settles into a middling part of a woman who has courage but not foresight. The portions that show her naivete and impulsiveness in taking a decision and her tussles with her mother-in-law (Swarna Kilari) have a tedious, television soap-like quality.
For a considerable portion of the film, we are privy to middle-class aspirations. While Chiranjeevi has the maturity to refrain from shortcuts, those around him think otherwise. When the chit fund scam unfolds, it holds no surprises. That predictability would not have been an issue had the narrative not been sluggish in its portrayal of relationships.
Capt. Brijesh Chowta, Dakshina Kannada MP, on Saturday urged Union Finance Minister Nirmala Sitharaman to facilitate speeding up of ongoing critical infrastructure works in the region, including Mangaluru-Bengaluru NH 75 widening, establishment of Indian Coast Guard Academy, and merger of Konkan Railway Corporation with the Indian Railways.