‘Humane’: Caitlin Cronenberg’s debut movie breaks the family mould

This film about euthanasia and the climate crisis isn't trying to be like something you've seen from David or Brandon Cronenberg.

Caitlin Cronenberg, daughter of famed Toronto director and progenitor of the body-horror genre David Cronenberg, is joining the family business with the premiere of her feature-length directorial debut, Humane.

Her family’s name may precede her, but Caitlin told Global News that she isn’t worried about trying to fill the big shoes left by her dad, or even her brother, film director Brandon Cronenberg.

Rather, she felt pressure to “work on a project that felt like me, and not to have any external pressure about the kinds of things that I wanted to work on.”

And in Humane, her individualism shines through. This film is a far cry from the aesthetics that filmgoers have come to expect from a Cronenberg film.

“I don’t think it’s a necessarily conscious decision. I think it’s just really who we all are as, as individual artists,” Caitlin said.

Humane is set in a near-future, apocalyptic scenario in which the climate crisis has reached a fever pitch. The U.N. mandates that each country must cull a portion of its citizenry to combat overpopulation, but how do countries choose who lives and who dies?

Despite the dystopian premise, the world of Humane ticks on much like ours — there is no civil war or underground resistance that appears on-screen. This is perhaps owing to the fact that the main characters of this film are all members of a wealthy family; why would their lives ever intersect with misfortune?

That is until the patriarch of the family, played by Peter Gallagher, gathers his children, including Jay Baruchel and Emily Hampshire of Schitt’s Creek, for a fateful dinner. One terrible decision pushes his children out of their comfy lifestyle with lethal consequences.