Four Inuit artists nominated for Canadian Screen Awards

Works by Inuit filmmakers, producers and creatives are being celebrated at the Canadian Screen Awards this year. 

One of the films nominated for best animated short, Angakusajaujuq: The Shaman's Apprentice, was by Zacharias Kunuk, and produced by Kunuk and Nadia Mike. 

Angakusajaujuq is about a young shaman who has to travel underground to visit Kannaaluk, The One Blow, to find out why a member of her community has fallen ill. 

Kunuk, who lives in Igloolik, Nunavut, said he is "honoured and excited" to have been nominated for the award. 

"We're really, really proud of what we've done," he said. "And it's a terrific story, the true story of a young lady being trained to be a shaman. It's a story I heard in the mid-1980s, when I was just starting out."

Kunuk says he never has awards on his mind while he's working on a film: "You just make the film the best you can, and if people like it, you win."

On the other hand, winning awards and doing well on the festival circuit makes it that much easier to take on the next project. Kunuk, whose breakout feature was the 2001 Cannes Caméra d'Or  winning Atanarjuat: The Fast Runner, says he has many more films in his future.

"There's a lot of different types of films," he said. "Some are women's issues, children's issues. I like to work in my culture, looking back into history, even prehistoric times.

"I love to hear stories of how our ancestors used to live and how they went through hard times, good times. It's a passion I love."

Jennie Williams' film Nalujuk Night has been nominated for Best Short Documentary.

It's about the Labrador Inuit tradition where people dressed as terrifying sea creatures come in from the ice.

Williams, who lives in Torbay, N.L., has been working on this film for the last four years. 

"My film is very unique," said Williams. "It's about a tradition in northern Labrador that probably not a lot of people have heard of before. Even in our own province, a lot of people have never heard of it. And it's a very strong Inuit tradition still to this day."

When she heard she had been nominated for the award, Williams thought it was because her film is "new and different" — along with using her photography experience and filming the documentary in black and white, she also wanted to create an immersive experience.