Eurovision, Celebrating the Sounds of a Postpandemic Continent
The New York Times
A dancing finger, chained demons and a victory for Italian rockers. But Eurovision, the largest music contest in the world, is more than just weird.
ROTTERDAM — The Italian band Maneskin celebrated its 2021 Eurovision win by the rock ’n’ roll playbook, with bare chests covered in tattoos, champagne spraying and the thuds of fireworks exploding. The win was a close and deeply emotional one, with the band’s song, “Zitti e Buoni,” or “Shut Up and Be Quiet,” edging into first place in an exhilarating vote that was ultimately decided by the public. Maneskin barely beat France’s Barbara Pravi, and her chanson “Voilà.” After the victory, an Italian reporter was sobbing as tears streamed down his face. Capturing what many felt, he said the victory was a fresh start for Italy. “It was a very difficult year for us,” the reporter, Simone Zani, said, talking about the devastating impact of the coronavirus. Explaining through his tears, he said, “We are from the north of Italy, from Bergamo,” an Italian city with record numbers of Covid-19 deaths. “To be No. 1 now, this is a new start for us, a new beginning.”
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