
Dave Chappelle and 'The French Dispatch' show even the most gifted talent sometimes needs an editor
CNN
There's a popular assumption that gifted artists, left to their own devices, will create their best work, and that the intrusion of network suits or studio bosses only mucks up the process.
Yet watching the Dave Chappelle special that has spurred controversy at Netflix, Jon Stewart's new show for Apple TV+ and most recently director Wes Anderson's latest star-studded movie "The French Dispatch" makes a pretty potent case that anyone, no matter how talented, can occasionally use an editor.
Netflix has benefited from the perception that creative types can come to the service -- hungry for content as it is -- and produce projects with relatively little interference. It has clearly become a selling point (along with gobs of cash, obviously) for attracting marquee names, such as allowing director Martin Scorsese's "The Irishman" to run a "The Ten Commandments"-esque 3 ½ hours.

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