Chennai | ‘Operation Vijay 1971’, a play on the third Indo-Pak War, explores stories from the battlefield
The Hindu
Play on 1971 war to be staged on September 30 in Chennai
For a quarter of a century since the Partition of India, East Pakistan lived in the shadow of its more prosperous, politically-dominant western counterpart.
When the Mukti Bahini (Bangladeshi guerrilla resistance movement) raised the call for independence, it resulted in a military response by Pakistan, with thousands of refugees pouring into India through its porous eastern border. By December 1971, the third Indo-Pak War broke out — fought over 13 days on two fronts, two seas and over air. On December 16, Dhaka fell to the Indian forces spearheaded by General Sam Manekshaw and the Mukti Bahini fighters. The iconic photograph of the signing of the Pakistani Instrument of Surrender that led to the birth of Bangladesh, and the surrender of Pakistan’s Lieutenant General AAK Niazi and his 93,000 soldiers, records a unique moment in the history of the subcontinent.
The fiftieth anniversary of the war was marked by events across India and Bangladesh despite the shadow of the pandemic. In Bihar, UDAAN — a nationwide alumni network of NCC cadets that works for the betterment of youth through social service activities — wanted to bring alive stories of the war. It organised a cycle expedition for NCC cadets, traversing 1,971 kilometres across the State. Along the way, the cadets performed nukkad (street theatre) on the war. The success of the 20-minute portrayals of how the East was won, inspired Major General M Indrabalan, to conceive and curate the larger play, Operation Vijay 1971.
For this, he reached out to two Bihar-based organisations – Gulmohar Maitri, a non-profit that works to build awareness on women’s health and hygiene, (which has produced the play); and Surangan, an art culture-group active for over six decades in bringing alive war-related theatre productions (which choreographed it under the direction of Jitendra Chaurasia.)
Manju Sinha, founder-secretary of Gulmohar Maitri, says, “Even though the play was visualised in 2021, its first show premiered only in August 2023 with the Governor of Bihar inaugurating it. Surangan and Gulmohar researched deeply on the play drawing from historical books, museums, and the National Archives. The focus, is however, not so much on military strategy or nationalism, but on the human story of the men who went to war and the people they left behind. It also examines the psyche of Gen Niazi — what he had to go through when he had to take the call for the surrender of the Pakistan Army, a difficult decision which would impact perhaps his own life and death, that of his soldiers, and the dignity and honour of his country.”
The play does not end with the oft-repeated climax of the surrender but how Maj Gen JFR Jacob, then Chief of Staff of the Eastern Command, persuaded Gen Niazi to accept it publicly. The cast of nearly 40 actors comprising professionals and students in the age group of 18-60, will portray people from different walks of life, how they were impacted, and their roles.
While the actors stage the script, playing out the roles of generals, foot soldiers and the common man, their stoicism and dogged endurance will also be seen on video snippets from that age on a screen behind.
nyone trying to slot Hong Kong filmmaker Ann Hui into a particular genre will be at a loss, for all through her 45 year-long career, she has moved easily between varied spaces, from independent cinema to the mainstream, from personal films to a bit of action too. For that matter, she has made a horror film too. Ask her about it and the 77-year old, who was conferred with the 29th International Film Festival of Kerala (IFFK)‘s Lifetime achievement award, says with disarming candour that she was just trying to see what she was good at.