Carlos Niño, the Spiritual Force Behind L.A.’s Eclectic Music Scene Carlos Niño, the Spiritual Force Behind L.A.’s Eclectic Music Scene
The New York Times
The percussionist, producer, D.J. and more has been helping artists like André 3000 express themselves for decades. His latest album is due later this month.
During concerts, Carlos Niño may set up a bass drum and a floor tom, but his percussion is far from conventional. Uninterested in maintaining a steady beat, he creates shimmering atmospheres and earthen textures with the many bells, shells, rain sticks or rattles he totes in a big black roller bag. He surrounds himself with cymbals and gongs. He shakes desiccated palm fronds. Wind chimes are involved.
A fixture in the Los Angeles music world for nearly 30 years, Niño has become a key practitioner of what he calls “spiritual, improvisational, space collage music.” (The genre it’s probably most related to is spiritual jazz.) He’s a beacon of energy and knowledge who can get in touch with the city’s transformative saxophonists and give you the name of a master acupuncturist. He’s also prolific, with seven releases from various projects arriving over the past eight months alone. His latest, “Placenta,” is due on May 24.
On a recent afternoon at Endless Color, a cafe and record store near Niño’s home in Topanga Canyon, Calif., he was effusive and enthusiastic, recommending both menu items and vinyl. A multicolored knit cap sat atop his wavy brown hair. Wisps of gray ran through the bushy beard radiating from his face.
Along with being an instrumentalist and a producer, Niño, 47, has been a beatmaker, a D.J. on both terrestrial and online radio, a record collector and a venue programmer. But most of all, he is a listener. “There’s a lot of times where there’s literally no music playing in my life, but I still feel the current of sound,” he said. “I’m in the stream, essentially. I’m not really ever not in the stream, which is kind of awesome.”
Nate Mercereau, a guitarist who has become one of Niño’s frequent collaborators, said listening is a crucial part of their dynamic, but it’s far from a passive experience. “It’s listening to yourself and letting that be part of the communication,” he said. “It’s not just a receiving thing, it’s like waves within waves towards each other and within.”