Bead, Hide and Fur Symposium returns to the Yukon

Indigenous women from all over the Yukon and beyond sat down together in Whitehorse over the weekend to share their needles, knowledge and traditional fashion skills. 

"It's about intergenerational knowledge transfer," said Joella Hogan, a member of the Yukon First Nations Culture and Tourism Association's board of directors. 

"It's really the coming together of matriarchs who are carrying our craft and building a different economy."

The non-profit organization hosted the third edition of the Bead, Hide and Fur Symposium from Nov. 11-13 at the Kwanlin Dün Cultural Centre following a two-year hiatus due to COVID-19.

About 160 women attended the event, looking for inspiration and collaboration, Hogan said.

"It's like a giant sewing circle, everybody is sitting around sewing, beading, doing quill work and continuing their craft," she said. 

Several workshops were offered throughout the weekend, including tufting techniques — a three-dimensional art, made with caribou and moose hair. Other topics included how to price Indigenous art and a conversation on cultural appropriation. 

Hogan, a member of the First Nation of Na-cho Nyak Dun in Mayo, about 400 kilometres north of Whitehorse, said she is seeing Indigenous art work being appropriated all the time. From Inuit designs on jackets for runways in Europe, to Orange Shirt Day items, the exploitation of Indigenous culture is "everywhere," she said. 

"What it's taking away from, is that cultural protocol and practice of patterns being passed down through families and generations and being able to trace it back," Hogan said.

"If people aren't doing that, then it's disrupting the culture's ways of passing knowledge on."

The event, she continued, was a way to offer a space for different generations to meet and trade traditions. 

One of the event's guest speakers was fashion designer Natasha Peter.

The 32-year-old woman from Ross River, northeast of Whitehorse, has been creating traditional clothing and jewlery for the past six years and recently showcased her work at the International Indigenous Fashion Week in Paris.

That milestone only came two weeks after she presented her designs at New York Fashion Week last September.