Antoine Predock, who designed the Canadian Museum for Human Rights, dies at 87

Internationally renowned architect and avid motorcyclist Antoine Predock is being remembered for his rare brand of creativity. Predock died Saturday. He was 87.

Known for his ability to tap into the spirit of any landscape and weave its characteristics into his designs, internationally renowned architect and avid motorcyclist Antoine Predock is being remembered for his rare brand of creativity. He died Saturday at his home in Albuquerque, according to longtime friends and colleagues. He was 87.

Over six decades, Predock created buildings around the world -- from the Canadian Museum for Human Rights in Winnipeg, Manitoba, and the College of Media and Communication in Qatar to public spaces that included the Padres baseball stadium in San Diego, the Arizona Science Center in Phoenix and Austin's City Hall.

His projects would start with sketches and collages, a method that friends and colleagues say has helped to inspire younger generations of architects as they learn how to incorporate buildings into communities and create spaces that make visitors feel as though they are on a journey.

That was Predock's motivation -- for people to be moved when they walked into his buildings.

He said during a 2018 interview with The Associated Press that his designs were choreographic. He said some of his inspiration for the choreography came from the sensations he would get while riding any of his many motorcycles -- some of which were on display in his studio.

"It's not like you have to follow a certain path. It's open-ended options and you can choose your own routes through it," he said of one design. "I don't like one-liner buildings where you kind of walk in and you get it all in one shot. It should be more of an accumulation of events and experiences and perceptions."

Appreciation and condolences were shared on Predock's social media pages not long after he died following a slowly progressing illness. He was known for sharing his sketches, along with photographs of his home's vantage point overlooking the Rio Grande valley and memories of his motorcycle adventures.