5 Minutes That Will Make You Love Brahms
The New York Times
Listen as Carlos Santana, Branford Marsalis and others pick their favorites of the moody master of 19th-century music.
In the past, we’ve chosen the five minutes or so we would play to make our friends fall in love with classical music, the piano, opera, the cello, Mozart, 21st-century composers, the violin, Baroque music, sopranos, Beethoven, the flute, string quartets and tenors. Now we want to convince those curious friends to love the music of Johannes Brahms (1833-97), master of stirring symphonic exclamations and moody piano solos. We hope you find lots here to discover and enjoy; leave your favorites in the comments. The beginning of Brahms’s Piano Concerto No. 1 is one of my favorite concerto openings. It’s got drama, intensity and emotion — and that’s before the piano even joins! The soloist doesn’t come in for almost four minutes while the orchestra has a long, thrilling introduction illustrating the themes of the movement. Brahms uses the full orchestra, with a lot of grandeur, so the entrance of the piano is always a beautiful surprise, coming in very lyrical and soft. And after such a long wait!
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